Wednesday, December 30, 2015

A visit to Pere-Lachaise in the early 1820s

The cemetery of Pere la Chaise, of which the above engraving presents a view, at once correct and striking, is one of the most interesting places that a person going to France can visit. Indeed, no thing can be more striking and affecting to the imagination. It is only sufficient to go there, to be convinced how true the affection which the mothers, sons, and sisters of France, have for each other. How simple, and yet how tender, the inscriptions upon the tombs! There the sister goes to renew the tender recollection of her sister, and a son to place a garland over the grave of his mother. With the English, the dead are scarcely ever visited, and seldom remembered; but it is not so with the French, who do not think it inconsistent to mix the kindest feelings to their relations with the sociability of a larger circle.

Some persons are of opinion that church-yards are the only proper place for christian burial; on the contrary, the origin of their use in England for that purpose is not of earlier date than the year 750; and agreeably to the old Roman Law of the Twelve Tables, the place of inhumation was ordered to be not within the city, but without its walls. Certainly ground destined for sepulture should, according to the law of the church, be duly consecrated; and when this is the case, it is perfectly immaterial whether it is attached to a church or separated from it; indeed, many of the church-yards in London are at a distance from a church, and it would, perhaps, be well if they were all out of the metropolis, since, as Lord Stowell well observed in one of his learned and elaborate decisions, "They cannot be made commensurate to the demands of a large and increasing population : the period of decay and dissolution does not arrive fast enough, in the accustomed mode of depositing bodies in the earth, to evacuate the ground for the use of the succeeding claimants."

Indeed, most of these cemeteries are narrow, close, filthy, and almost indecent; and though new crypts have been formed in building the new churches, yet for the most part no monuments can be raised in the burial grounds, nor even be affixed to the walls of the sacred edifices.

Not so the cemetery of Pere la Chaise, a chosen spot just without the walls of Paris, where the ashes of Jew and Gentile, Protestant and Catholic, rich and poor, repose in charitable vicinity. The circumference of the burial ground is upwards of two miles. The ground is laid out with taste and elegance, diversified in position, beautified with shrubs and flowers, and appropriately adorned with monuments, some interesting from their historical recollections, some touching from the simplicity and tenderness of their inscriptions; but all neat, decent, and appropriate to the solemnity of the scene.

The number of tombs has greatly in creased during the last few years, and fashion and ostentation which play so many freaks on the busy stage of life, intrude their follies and their fripperies even into this quiet and peaceful sanctuary; and the modest stone with its emblematic cross, over which the cypress mourned and the willow fondly drooped, has given place to the obelisk, the pyramid, and the temple.

The tombs and graves in the cemetery are kept in the highest order and repair, and almost all of them are planted with shrubs and fragrant flowers, mingled with the mournful cypress and yew: the acacia tree is also planted in great abundance, and the wild vine spreads its broad leaves and graceful clusters over many of the monuments.

Many of the tombs are interesting on account of the celebrity of the persons they commemorate, and others' for the beauty and simplicity of their inscriptions. Of the former class, the tomb of the poet Delille, which is situated in the higher part of the ground under the shade of a bower of linden trees, is one of the most interesting. Those of Moliere, La Fontaine, Eloisa, and Abelard, Madame Cotton [sic: Cottin], Marshals Massena and Ney, with many others of characters highly distinguished, as well worthy of notice.

As a specimen of the affecting brevity and pathetic simplicity of the inscriptions on tombs in this burial ground we may instance the following. The first is on the monument of a man who died in the
prime of life.

A la memoire de mon meilleur ami.
C’ etoit mon frere.

On another:

Ci git P. N., son epouse perd en lui le plus tendre de ses amis, et ses enfans un modele de vertu.

A little crown of artificial orange blossoms, half blown, was in a glass case at the head of the tablet.

And upon a tomb raised by the parents to the memory of a child.

Ci git notre fils cheri.

The following is a touching epitaph on a young girl:—

A sa famille
Elle apporta le bonheur;
II s'enfuit avec elle!

The following are also among the inscriptions in this celebrated spot :

Le Malheur, l’Amour,
La Reconnoissance,
Au modele de toutes les vertus,
Delice,
A son excellente Zephirine.
________

A mon Theodore.
________

Repose en paix, ma bien aimee. Celeste! demain nous reviendrons te voir.
________

Tu reposes mon fils, et ta mere
Est dans la douleur!
________

A notre bon pere
Des fils reconnoissants.
________

A peine cinq printemps vecut notre Pauline,
C’etoit le gage heureux de l'hymen le
plus doux,
Chacun aimoit son air et sa grace enfantine—
Ah! de notre bonheur le destin fut jaloux!

Many garlands of fresh and sweet flowers are hung upon the graves, and every thing marks the existence of tender remembrance and regret ; it appears as if in this place alone the dead are never forgotten.

Struck with the contrast which our city church-yards present to the burial-ground of the Pere la Chaise, some individuals have projected a scheme for a receptacle of the dead on a large scale in the vicinity of London. They propose to give it the name of the Necropolis, or " City of the Dead;" and mean that it shall be laid out in a style, which for solemnity, taste, and magnificence, may surpass any thing yet undertaken. To what expense do not our opulent individuals often go to erect in their demesnes some monumental record of a friend, perhaps even of a faithful dog, on the banks of a limpid rivulet, near a grotto overhung with weeping willows or shadowed by the mournful cypress! And would they not much rather adorn a spot of consecrated ground, which might always be kept neat and clean, well watched and guarded against violent intrusion, and resorted to by those only whose sentiments were in unison with the melancholy sanctity of the place?—The taste for gardening and for every thing rural is proverbially prevalent among the English; and those who may chance to visit a country church-yard “under the shade of melancholy boughs," looking forth upon the richness and beauty of an extensive landscape, can scarcely fail to breathe a wish that they themselves may repose hereafter amid such still and tranquil scenery.

We cannot, perhaps, better close this article than with the following poem on the cemetery of Pere la Chaise [published 1821], by the late Mr. David Carey, who died in the vigour of age and talent:

When, like-the fleeting forms that fled
ln youth a fair morning from the view,
We sink on death's ungenial bed,
And bid to life and lore adieu.

If aught that once with influence kind
Could chase the mists of sorrow's gloom.
Can please the disembodied mind.
And shed a pleasure o'er the tomb.

Tis when with sympathizing care
Affection rears the votive bower,
And weeping Pity's daughters fair
Trim the lone monumental flower.

As in the precincts of La Chaise,
The hands of beauty nurse the wreath
That spreads the bloom of vernal days
O'er the cold sanctuary of death.

If aught of consolation sweet
Can mingle with the cup of woe,
When, far from each belovd retreat,
Fate lays the hapless stranger low ;

'Tis that his ashes may repose
In peace, where those we love are laid,
Where death has never paled the rose,
And tears of piety are shed.

How sweet to him, when passion's past,
Whose tows were paid at beauty's shrine,
To sleep where Abelard at last,
And his lov'd Heloise entwined.

How sweet to those whose generous breast
Was form’d in nature's school to feel,
In the Elysium of the blest.
To sleep with virtue and Delillc!

And such thy scene of lasting sleep.
So tranquil and so hallow'd now,
La Chaise ! where once in vengeance deep
Dark persecution breath'd his vow.

Where superstition banish'd far
Sweet love and mercy from the ground,
Benignant pity's milder star
A holier feeling spreads around.

Here oft o'er lost affections' bier,
The mother and the lover bend,
To dress with many a flower and tear
The cherish’d child, the parted friend

Here, side by side, in flowery graves,
The Russian and the Spaniard lie,
And peace immortal olive waves
O'er warring nations enmity.

Then mourn not, stranger, though thy doom
Be sorrow's lot, and brief thy days—
If joy can penetrate the tomb,
Thou'It find it here—in Pere la Chaise!

From “The Cemetery of Pere La Chaise,” in The Mirror of Literature, Amusement, and Instruction, January 8, 1825, No. 122, pp. 17-19.

Saturday, December 26, 2015

Edouard Charles Victurien Colbert de Maulverier - division 7 in Pere-Lachaise then and now

Edouard (1758-1820) was a French admiral. He is buried with his wife Charlotte Pauline (Montboissier-Beaufort-Canullac 1777-1837).

1821-22 in Marchant -- Colbert is to the double uprights on the left, Heloise and Abelard to the right


Saturday, December 19, 2015

Visconti - division 4 in Pere-Lachaise then and now

Ennius Quirnus Visconti (1751-1818) and his son Louis Tullien Joachim Visconti (1791-1853). An Italian archeologist, Ennius was curator of the Capitoline Museum in Rome before supervising the antiquities room at the Louvre. He was originally buried in what is now division 10 but removed to division 4 next to his son, architect and designer Louis Tullien. Louis designed many Parisian buildings and squares, including the Place Saint Sulpice, but is perhaps most well-known for designing the tomb of Napoleon at Les Invalides.

1832 in Normand

1840 Marty

Ennius (rear) and Louis (front) Visconti - photograph by Gede


Saturday, December 12, 2015

Memorial to the Victims of June 1832 - division 6 in Pere-Lachaise then and now



Erected by the city of Paris, this memorial pays homage to members of the municipal and national guard who perished during the uprising of 20 June 1832.

Their names are listed on the obelisk, largely illegible today, and bodies were interred in the open space in front of memorial:

Pierre Hippolyte Aubert, Francois Michel Bellier, Nicolas Beranger, Jean Cartier, Jacques Louis Leonard Chollet, Charles Joseph Cocquelet, Pierre Condamine, Claude Duc, Henri Fauchier, Joseph Folenfant, Bernard Forest, Pierre Gaultier, Jean Julien Geoffroy, Felix Gilles, Gravet, Pierre Joseph Guenifet, Charles Herera, Jean Francois Hervet, Francois Kolleter, Jean Baptiste Ladroix, Eugene Lavrilliere, Emile Lefort, Louis Victor Lemoine, Jean Lhubert, Jean Louis Lointier, Dominique Morge, Antoine Marquez, Etienne Mathieux, Louis Menard, Jean Moder, Pierre Auguste Mousseau, Francois Munerel, Jean Pargala, Francois Xavier Pernot, Jean Baptiste Honore Prevost, Louis Pussier, Jean Raud, Mathias Reybel, Francois Xavier Sattlair, Dominique Schmitt, Pierre Georges Senegon, Charles Louis Vanherseque, Claude Weber

For more information plus an illustration of the monument circa 1840 see Les Principeaux Monuments Funeraires du Pere-Lachaise, de Montmartre, du Mont-Parnasse et autres Cimetieres de Paris (1840) by Rousseau, Lassalle and Marty.

There seems to be a bit of confusion about this monument. As noted above, Marty et al make it clear it was erected for the victims of 1832, yet more recent sources, particularly in Valverde and Hughes Le Cimetiere du Pere-Lachaise and in Philippe Landru's exhaustive website, the monument supposedly honors those killed in the 1848 uprising. And Bertrand Beyern writes that the monument honors those killed in 1832, 1834, 1835 and 1848.

A very small but nonetheless perplexing puzzle. . .

Saturday, December 05, 2015

Charles Lebrun - division 5 in Pere-Lachaise then and now

Charles-François Lebrun, 1st Duke of Plaisance, prince of the Empire (1739–1824) was a French statesman.


Wednesday, December 02, 2015

Earliest burials in Pere-Lachaise and the Rogers - numbers from the Paris city archives

Thanks to that indefatigable researcher Marie B., we now have much clearer picture of the earliest burials of Pere-Lachaise Cemetery.

As you may recall from a previous discussion of the seminal work by Mr. Roger and his son, they calculated a total of 2,174 burials by the time they published their two-volume series at the end of 1816. This appeared to include permanent as well as temporary burials but not the mass graves. They also sketched out each and every grave as each grave appeared. Impressive indeed.

What we now know is that by the end of 1816 there were 660 permanent burials, 3,663 five-year temporary burials and 49,714 mass grave interments for a total of 54,037 bodies laid to rest in Pere-Lachaise. (Burials included bodies from the 3rd, 4th, 5th. 6th, 7th, 8th and 9th arrondissements -- old numbers).

Excluding the mass burials - the Rogers were apparently interested only in graves with a marker of one sort or another and that each grave in their their printed list matches a illustrated version in their "graphic maps" of all the graves) that leaves 660 permanent and 3,663 temporary graves for a total of 4323 interments. Yet their number of 2,174 falls far short. Why?

Assuming the Rogers were diligent in their attempt to identify every burial -- and it would appear they were from their two volumes of listings as well as their detailed graphic maps -- then it is most likely that some if not many of the temporary graves simply lacked a marker.

I suspect the graphic maps might give us a clue to this puzzle. Looking at plates 34, 35 and 36 in volume 2 we can see they sketched row upon row of crosses, quite likely wooden crosses and probably temporary.

Still, as discussed in my earlier post, the Rogers did leave out a number of individuals listed in other early guides to the cemetery so it seems clear that they also missed a few marked graves. But that wouldn't account for the huge discrepancy;  yet they seemed so thorough. . .

We'll probably never know for sure why the Rogers missed so many graves but it would seem safe to conclude that it was their intention to do so.

The breakdown of burials for 1804-1816 is as follows: permanent-temporary-mass-total for that year

1804: 1-17-1491-1509
1805: 2-39-2099-2140
1806: 3-42-2394-2439
1807: 10-52-2694-2756
1808: 14-62-2271-2347
1809: 17-72-2017-2106
1810: 42-82-2371-2495
1811: 32-100-2267-2399
1812: 66-143-2466-2675
1813: 119-359-3697-4175
1814: 90-891-10123-11104
1815: 115-939-8668-9722
1816: 149-865-7156-8170
TOTAL: 660-3663-49714-54037

The dramatic spike total burials in 1814 was most likely the consequence of the the Battle for Paris which ended with Napoleon's capitulation to the Allies and his forced exile to the island of Elba.

(Source: Archives de Paris, VI.15.1.1326W, Archives des Pompes funèbres de Paris - Paris municipal funeral home archives.)

Saturday, November 28, 2015

Auber - division 4 in Pere-Lachaise then and now

Daniel Francois Esprit Auber (1782-1871) was a French music composer known largely for his work in grand opera. You can learn about Auber and his work right here.



Wednesday, November 04, 2015

The Reifenberg Sculpture mystery

Tucked away inside division 53 of Pere-Lachaise is a wonderful bit of imagination crafted in stone.

Aside from the letters “MB” on the pedestal and the name "H. Reifenberg," virtually nothing is known about this stunning sculpture, its sculptor or the deceased. It nevertheless remains one of the more strikingly unique and puzzling sculptures in Pere-Lachaise.

Appearing half-finished this life-size sculpture has always struck me as an oddity of the best sorts: here's a young woman coming out of (or disappearing into) stone. Is she half in and half out, going neither one way nor the other? If you look closely you'll notice that she seems to be at a standstill, thinking, with one hand poised behind her left hip and the other under her chin. What is she doing?

Whatever she's up to, I find her most engaging -- and continue to wonder just who was this curious "Reifenberg" and what was the story behind the woman in stone?

An online search reveals little about H. Reifenberg. According to Adam Yekkes, in 1920s Paris there was a pianist "Madame Reifenberg" who lived at no. 8 in the very avant-garde, very exclusive rue Mallet-Stevens. Close by lived twin brothers who were both sculptors, Joel and Jean Martel.  At no. 7 lived Daniel Drefyus and nos. 3/5 lived Madame Allatini.

Robert Mallet-Stevens, the controversial architect of this unique cul-de-sac lived at no. 10. (The street was declared a national monument in 1975.)

So, who was H. Reifenberg?





Saturday, October 17, 2015

Charles Henri Ver Huell - division 28 in Pere-Lachaise - then and now

Charles Henri or Carel Hendrik Ver Huell (also Verhuell, 1764-1845) was a Dutch, and later French, admiral and statesman.

Buried with Charles are his brother Christian Antoine (1760-1832) a Dutch admiral, and Charles's two sons: Maurice (1791-1810) and Charles (1797-1827). The monument was erected following the death of Maurice.
1825 by C. P. Arnaud

2013

Saturday, October 10, 2015

Girodet-Trioson - division 28 Pere-Lachaise - then and now

Louis Girodet (also known as Girodet de Roucy-Trioson or Girodet-Trioson, 1767–1824) was a French painter and pupil of Jacques-Louis David. He is buried in division 28.
1832 by Quaglia

1840 by Marty
2006 by Steve Soper

Saturday, October 03, 2015

Beaumarchais and Comte de Ribes - division 28 Pere-Lachaise - then and now

Pierre-Augustin Caron de Beaumarchais (1732–1799) was a French playwright, watchmaker, inventor, musician, diplomat, fugitive, spy, publisher, horticulturalist, arms dealer, satirist, financier, and revolutionary (both French and American).

It is unclear as to where Beaumarchais was originally buried when he died in 1799. Eventually, however, he was reinterred in division 28, near the Comte de Ribes.
1840 by Marty

2012 by Pierre-Yves Beaudouin

Saturday, September 26, 2015

General Maximillien Foy - division 28 Pere-Lachaise - then and now

Maximillien Sébastien Foy (1775–1825) was a French military leader during the Napoleonic Wars and wrote as highly-regarded history of the Peninsular War. Toward the end of his life he was a member of the national Chamber of Deputies and noted for his eloquence.
1828 by Marchant

c. 1830 by Pugin

1832 by Quaglia

1836 by Richard

1840 by Marty
c. 1841 by Furne

by Civeton

1855 by Solomon
by Didier Grau

Saturday, September 19, 2015

Bellevoine - division 28 Pere-Lachaise - then and now

Little is known about the Bellevoine family in division 28 other than they had a keen eye for a unique tombstone: nothing like a pile of rocks to mark the permanence of death.
1836 by Richard and Terry
2006 by Steve Soper

Saturday, September 12, 2015

Louis-Marie-Joseph Gossuin - division 28 Pere-Lachaise - then and now

Louis-Marie-Joseph Gossuin (1759-1821) was a general and civil administrator during the Napoleonic era. He is buried in division 28.
1832 Normand
2013

Saturday, September 05, 2015

Jean Pierre Joseph baron de Jaquet - division 28 Pere-Lachaise - then and now

Jean Pierre Joseph baron de Jaquet (1779-1829), was a French military commander during the Napoleonic wars.
1832 Normand
2012 by Pierre-Yves Beaudouin

Saturday, August 29, 2015

Marshal Louis-Nicolas Davout - division 28 Pere-Lachaise - then and now

Louis Nicolas d'Avout (usually spelled Davout or Davoust, 1770-1823) was a Marshal of the Empire and reportedly one of Napoleon's most loyal commanders. His is buried in division 28 nears Marshals Massena and Lefebvre.

1832 Quaglia
2006 by Steve Soper

Saturday, August 22, 2015

Marshal Francois Lefebvre - division 28 Pere-Lachaise - then and now

François Joseph Lefebvre (1755-1820), was one of Napoleon's original eighteen Marshals of the Empire. He is buried in division 28 near Andre Massena, another Marshal of the Empire.
1828

1832 Lefebvre (Normand)

1832 Lefebvre (Normand)

1832 Lefebvre (Quaglia)

1840 Lefebvre (Marty)
2009 by Steve Soper

Thursday, August 20, 2015

Loie Fuller - division 87 Columbarium Pere-Lachaise

Born 1862 in Hinsdale (Fullersburg), Illinois, Loie Fuller was one of the most famous dancers of the art nouveau period. She died 1928 in Paris. An incredible and incredibly unique dancer.